I gave Descript a try for editing Setting the Stage. It worked well, but I think I’ll continue with Audacity for now.

The main advantage of Descript for me is transcript editing. The program detects different speakers and what they’re saying with decent accuracy. It’s very easy to edit out all the filler words of “um, uh, like, kind of, basically, and chchch.” Just select the word in the transcript and press delete. This is a much faster workflow than selecting a sound in Audacity’s waveform.

And… It’s Gone!

I used the free trial version which allowed 1 hour of audio to be uploaded per month. That meant it took me 3 months to upload a recording that was slightly more than 2 hours (and then edit down to under 2 hours).

The editing of filler words worked really well. While there is a command to remove all filler words, I didn’t use it. Removing them all makes speech unnatural and can introduce errors. For example, people frequently use “uh” as the first syllable of a word that begins with “A.” Someone might say, “We want to hold him… uhhhh…-countable.” Removing the “uh” creates the malapropism of, “We want to hold him countable.”

I used my regular editing method of listening to the episode and pruning as I went. The transcript just made the process easier. Typically, a 2 hour episode takes me 6 hours to edit. I didn’t time myself on this one, but it was probably close to 4 hours. More importantly, transcript editing was a more enjoyable process. Fiddling with waveforms is fun when I’m trying to sync something with music. It’s not fun for me to do for an interview sound file.

What word is highlighted?

Now for the problems. Problem #1 is obvious, Descript is a subscription product. I’d be willing to pay $100 or $200 to have the software. I’m less willing to pay that amount every year. If Setting the Stage was making enough money to cover that cost? Maybe.

Problem #2 is far more technical. It’s a problem that arises because I’m conducting interviews with online voice chat instead of using face-to-face conversations. When you can’t see someone there’s no way to visually indicate that you’d like to speak. It’s also harder to audibly indicate you want to speak because many of the smaller sounds that people use for that are removed by Discord if you don’t continue speaking. The person on the other end doesn’t hear your subtle noises so they keep talking unless you interrupt them.

When I’m interviewing someone, I occasionally have to interrupt them. I don’t like interrupting people but sometimes I have to so that the interview stays on track. I also don’t like seeming rude in my recording. That means that a portion of my editing is removing the parts where I talk over someone. I pick a spot where my guest’s thought naturally ended, then lop off the bits where we were both talking. If necessary, that means I’ll silence my interruption noises and the short part where they kept speaking while I was beginning my next question. It’s not a straight edit where I’m just removing the audio from both speakers, I selectively remove and silence pieces from my audio track as well as my guest’s audio track.

Lots of overlap that I can cut out as needed. Although this is probably chair squeaks.

Descript doesn’t let you do that with transcript editing. Descript can only create a transcript off a single audio file. The programming is able to detect two different speakers. It can accurately assign different words to the two speakers when they talk at the same time. Unfortunately, your only options when editing are to remove or silence both speakers. That means I can’t easily edit/smooth out my interruptions.

You can load two tracks at the same time on Descript, but then only one of them gets the transcript. That could still be a solution. I’ve been doing this for years and recorded dozens of episodes, so my microphone discipline is better than most of my guests. I’m also talking a lot less than them. I could use their audio track as the transcript track that I edit with transcript editing. My track would be synced alongside theirs, but I would have to edit it with waveform editing, just like in Audacity. A marginal improvement, but probably still better!

Daniel is talking to me, but if you look at just the transcript it looks like he’s talking to himself.

I’ll be giving that method a try for future episodes. Keeping the audio tracks separate for this kind of editing does introduce an additional hassle though. It means that my upload size to Descript is doubled, meaning a 1 hour episode becomes a 2 hour upload if I’m separating the two tracks out. Regrettable, but I don’t think I’d keep using Descript if that wasn’t an option.

Descript doesn’t quite replace Audacity, but it’s awfully close. I’ll see if I can recommend changes related to this in a feature request at a later date. I have a feeling they wouldn’t listen to a free tier user. At least I’ve got it all written up with pictures ahead of time!

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I’m Isaac

Welcome to the GoCorral website! I’m Isaac Shaker and this is a place for me to write about D&D and occasionally other topics. I host a podcast called Setting the Stage that interviews different DMs about their campaigns. I’m currently focused on completing the Cimmeria campaign setting and turning it into a book.

Setting the Stage Podcast

86 – Wuxia Adventures in RPGS (Daniel and Metanoia/Ithasen) Setting the Stage, Campaigns for D&D and Other RPGs

I interviewed Daniel, my cohost of the Tabletop Community Spotlight! Daniel created his own setting called Ithasen with an in-progress wuxia TTRPG system called Metanoia to go along with it. Ithasen has a spiritual force known as Ren that pervades the world. Ren is a magical manifestation of the user's, or Rennim's, will upon the universe. Rennim that cultivate their will grow stronger and capable of more amazing feats as the concentrate their power and force of personality.Within Ithasen there are seven lineages of people that decide what type of Ren they can use. Anamor use conversion Ren. Elkyr use flux Ren. Janim use elasticity Ren. Nyl use influence Ren. Okoi use recurrence Ren. Haqol use harmony Ren. Finally, Daruner use use coalescent ren. The two races lineages that drive unique politics in Ithasen are the Daruner and the Haqol.Daruner children absorb the Ren talents of both their parents, becoming a perfect blend of Daruner and another lineage parent. Through this mixing, a Daruner family could potentially include all other lineages within itself. This power has placed Daruner as the nobility of Ithasen.Haqol's power of harmony allows them to amplify the Ren powers of others. This puts Haqol in a vulnerable position as unscrupulous people will do anything to incorporate Haqol lineage into their bloodline. Haqol have experienced something akin to a genocide as their lineage has been consistently absorbed by other lineages and diluted over the centuries.There's a whole lot more than that so strap in!Daniel has a fully setup GitHub Wiki for information on Metanoia and Ithasen that you can explore.There's a Metanoid Discord server you can join to discuss the rules and setting with other fans.The occasional musing on TTRPGs can be found on Daniel's blog, Tabletop Discourse.GoCorral YouTube Channel for watching the Tabletop Community Spotlight.Vote in the CRIT Awards! Voting is open until August 23rd.Check out the Setting the Stage website!Want to be on the show? Fill out this survey.Join our Discord!Support Setting the Stage on Patreon! Hosted on Acast. See acast.com/privacy for more information.
  1. 86 – Wuxia Adventures in RPGS (Daniel and Metanoia/Ithasen)
  2. 85 – Medical Doctor D&D (Justin and Oops! All Healers!)
  3. 84 – Horseback Riding D&D Camp (Michael and SaddleSnaps)
  4. 83 – Call of Cthulhu's Garden (Hem and The Sprouting)
  5. 82 – Tarot Ghosts (George and Fears & Fortunes)