Physical Description

Kobolds are small humanoids with a combination of dog and lizard features. They stand between two and three feet tall and generally have slight but muscled builds. Kobold scale coloration can be any color of the rainbow as well as brown, gray, black, or white. Particular tribes have a tendency to share a color or palette of colors. Kobolds have pointed ears like a snow dog, but a kobold’s ears are made of thicker cartilage and covered in scales instead of fur. Similarly, kobold feet have the same shape as a canine’s but are scaly instead of furry. Kobolds have mouths and skulls shaped like a canine’s. This shape allows for strong bites, mostly clear vocalization of other languages, and the distinct barking noise that kobolds use to communicate over long distances.

Culture

To a kobold, the pack comes before all others. Kobolds that are not directly born from sown dragon teeth come from eggs which are laid in communal clutches. This makes it difficult for kobolds to distinguish individual parents. Instead of being raised by their mother and father, kobolds are raised by the whole pack. This gives them strong bonds within their pack and little respect for those that exist outside of this extended family. The pack is first, last, and everything to a kobold.

Kobold packs are organized along multiple hierarchies. Their official leaders are often the strongest, but kobolds also pay respect to the oldest and most knowledgeable among them. Kobolds are able to accept outsiders into their communities, as long as the outsiders respect these hierarchies. Commonly, outsiders are only able to exist within kobold communities by occupying the top spot, a position typically occupied by the dragon progenitor of a tribe.

Kobold dismissal of everything outside of the pack lead to many of their troubles in Cimmeria. As life outside of the pack is worth nothing, kobolds have a tendency to openly steal from other races. If their theft is met with resistance, kobolds will use force or, more often, subterfuge. Retaliatory violence drives kobolds away from other civilizations. In the wild, kobold population expands rapidly due to their high birth rate and rapid maturation. These factors, along with their disregard for nature as “outside of the pack,” lead to kobolds overharvesting their environment. As resources dwindle, the large pack splits and smaller units return close to civilization and the cycle repeats.

Kobolds that interact peacefully with other cultures are often confused by what they see. They are curious about the practices of other cultures. However, discovery of foreign practices often leads to offensive dismissal. Kobolds have an attitude of “that’s interesting but the wrong way to do it” for nearly every social habit that doesn’t match their expectation. This alien reaction, along with most kobolds disregard for property of others, leads to social ostracism within communities that kobolds live in. Additionally, the tendency of wild kobolds towards cannibalism marks them as evil.

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I’m Isaac

Welcome to the GoCorral website! I’m Isaac Shaker and this is a place for me to write about D&D and occasionally other topics. I host a podcast called Setting the Stage that interviews different DMs about their campaigns. I’m currently focused on completing the Cimmeria campaign setting and turning it into a book.

Setting the Stage Podcast

71 – Aaron Ryan and Dissonance/The End Setting the Stage, Campaigns for D&D and Other RPGs

I talked with Aaron Ryan about two of his book series, Dissonance and The End.Dissonance is a near future world where aliens have attacked, killing most humans and animals on Earth and driving humans into hiding underground. Humans finally develop technology to fight back and the war enters a new stage while the characters also struggle to determine the motivation for the alien invasion and nefarious actions of the government.The End is a Christian End Time series based loosely on the events described in Revelations. A man calling himself Nero has risen to rule over the world and he has outlawed Christianity. Robots called Guardians hunt Christians throughout the world, murdering them on the spot if they don't recant their faith. A resistance movement works in the shadows against Nero, but things aren't looking good for them.We talked about the basics of those settings along with how they could be adapted for RPG campaign settings. My main recommendations were Ashes Without Number, Spire, and Blades in the Dark.If you're interested in reading Aaron's books you can find them at most any bookstore or library. Both of the series are also being adapted into movies, but aren't publicly available yet. Aaron's website is https://authoraaronryan.com/ for the latest updates on his work. Next up for Aaron is the Talisman series that covers events within the "Aaronverse" in the decades between Dissonance and The End.Our website: https://gocorral.com/stsWant to be on the show? Fill out this survey: https://forms.gle/U11TbxtAReHFKbiVAJoin our Discord: https://discord.gg/Nngc2pQV6CSupport the show on Patreon: https://www.patreon.com/SettingtheStage Hosted on Acast. See acast.com/privacy for more information.
  1. 71 – Aaron Ryan and Dissonance/The End
  2. 70 – Sensei Suplex and Project Aurora
  3. 69 – Siix and Godstorm
  4. 68 – John and Tahlvaen
  5. 67 – John and Blittle League Blaseball