One of the problems that comes up in D&D is whether races are capitalized.

English is clear on that topic. African is capitalized because its a continental descriptor, but black is not because physical descriptors are less important.

Hobgoblin is a race in D&D, but is it a “nationality” or a physical descriptor?

The issue becomes more confused when languages are considered.

In D&D a race’s native language is often just referred to by that race’s name. Elves speak Elven. Hobgoblins speak Goblin.

The simplest way out for me was to just capitalize all races all the time, so I will be attempting to do that as I go forward with the work on Gurutama. This includes Human, Dwarf, Elf, and anything else that would not normally be capitalized in English.

EDIT: I’ve since revised the style choices described above. Please refer to my new post: Style Change

4121 BE: The merfolk came into existence and their god was Drolfo Sitnalta, god of the sea.

4037 BE: Drolfo told his followers to build a city between the islands of the Maw. The merfolk named the city Drolfo’s Cove in honor of their god.

3983 BE: On the island, Rontu-Aru, the great egg mother, Izquitl, needed a perch, so she created Cui-Xoloc, the tallest mountain in the world, to rest upon. Cui-Xoloc rose sheer faced, miles into the sky, dividing the southern island-continent in two. An enormous waterfall sprung off the north side of the mountain, joining the river leading to the ocean.

3837 BE: Izquitl needed beauty and love and blood, so she called up Hrududu, a vast rainforest covering the eastern half of Rontu-Aru. Izquitl needed more, so she started to sing the first song of the world. The many birds of Hrududu listened and when she stopped her song the birds had taken on tall forms and gained intelligence not present in their lesser cousins. The avians took flight.

3734 BE: Into the world came humankind, timid and savage, knowing not from whence they came but living ever in decadent fear of the great fiery abyssal volcano, their own window into the beating heart of the world. The mountains grew up around the humans for their fear of the outside world was even greater than the terror within the inferno.

3654 BE: The dwarves knew that the world came and went in cycles just like the seasons. They knew how to survive the cataclysms and be reborn afterwards. They had buried themselves deep, deep within the earth. The dwarves crawled up out of the dirt and rocks in the mountains in the west. They looked at the new world around them and said, “Oi! Whot’s all this then? The old one was better!”

The dwarven chieftain calmed his people, “Calm thyselves! Have we not read that it takes time for a new world to ripen? We shalt go back into the ground until this Earth is ready for our holy presence.”

“Aye! The chieftain is wise! Into the ground again!”

The dwarves got out their picks and shovels to create a new home in the new world. They would venture out of the mountains once the world “ripened.” For what purpose would they venture out? Only the writing in the Books they preserved between each generation could tell.

A few minor edits, but not much to do for this first part. I’ve considered taking out the parts about physical features of the world, but there’s nothing major here. Besides, what’s the difference between myth and legend for history this old?

-Mister Ed

Next: Gurutama Timeline Revising Part 2

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I’m Isaac

Welcome to the GoCorral website! I’m Isaac Shaker and this is a place for me to write about D&D and occasionally other topics. I host a podcast called Setting the Stage that interviews different DMs about their campaigns. I’m currently focused on completing the Cimmeria campaign setting and turning it into a book.

Setting the Stage Podcast

81 – Biopunk 2287 RPG (Seiya and Synesthesia Synthetica) Setting the Stage, Campaigns for D&D and Other RPGs

Seiya tells us about his TTRPG system and setting, Synesthesia Synthetica (SNS). SNS is a biopunk game adjacent to the cyberpunk and steampunk genres. After an asteroid induced climate disaster, Earth has rebuilt itself using bio-technology instead of the metal based tech that surrounds us in the real world. Genetically modified humans have split into distinct species and mutant horrors prowl the wastes outside civilization. The rich rule from their space stations up above but resistance is growing in the streets below.During the episode we discussed a piece of art that Seiya had made for the game. A picture of that bio-tank is available for you to look at.At the moment, Synesthesia Synthetica is available for free as an early access game on itch.io and DriveThruRPG.If you want to learn more or find a group to play with, you can do that on the Synesthesia Synthetica Discord.Remember to nominate your favorite TTRPG shows/creators/things for the 2026 CRIT Awards!Check out the Setting the Stage website!Want to be on the show? Fill out this survey.Join our Discord!Support Setting the Stageon Patreon! Hosted on Acast. See acast.com/privacy for more information.
  1. 81 – Biopunk 2287 RPG (Seiya and Synesthesia Synthetica)
  2. 80 – Dynamic RPG Countries (Travis and Tetara)
  3. 79 – Dragon Age Degenerates (Zoe from Degenerates with Dice)
  4. 78 – D&D in Suburbia (Ryan and Serenity Springs)
  5. 77 – KPop DnD Hunters (Dan and Idols of the Neon Dark)