I made a post about the different tiers of play in Dungeons and Dragons. I mentioned that as the PCs progress in power, so do the monsters.

Today, I want to talk about how the tiers of play affect the Dungeon Master.

Contrary to what some people might think, the DM’s goal is not to kill the PCs.

The goal is to almost kill them.

Remember that scene in the Return of the Jedi where the Death Star is operational, the deflector shield is still up, Han and Leia are captured, and Luke is with the Emperor? The Emperor taunts Luke describing how deeply the Rebels’ plan has failed.

That’s the point the DM wants to get to with their players. Where all seems lost and only a sliver of hope remains. And then the PCs are miraculously delivered from their despair, defeat the villain and save the day.

The perfect encounter in D&D will incapacitate about half the players before the foe is defeated.

Designing challenges at the low and middle tiers is easy enough. A bunch of orcs, a troll, or an ogre. There’s plenty of simple bad guys that provide credible threats to the party.

With multiple enemies it’s easy enough to modify an encounter to get just the right challenge. If the PCs are having an easy time of it, reinforcements arrive. If the encounter looks as if it may overwhelm them, perhaps the enemies retreat. After all, the PCs have surely slain a few of their foes and those who remain may not be willing to die for their cause.

At the high tiers, encounters become a little more difficult to design. Most anything in the books can be thrown at the PCS, dragons, devils, giants, you name it. But it’s difficult to gauge exactly how challenging a monster will be.

At any tier it’s okay if an encounter is too easy, but the advantage of high tier play is that it’s okay if an encounter is too hard as well.

The monster kills two of the PCs and they have to retreat? That’s okay, they can just bring the PCs back from the dead, research the monster’s weakness, and return two days later to slay it.

Epic tier challenges have even more problems as the players can often just wish the encounter away. The DM needs to be firm about what can and cannot be wished away to prevent all future challenges from being trivialized.

As powerful as the wish and miracle spells are, they usually won’t entirely invalidate playing D&D beyond 17th level.

The DM’s job is to limit the scope of what the wish and miracle spells can do through careful interpretation. Additionally, the in game mechanics give severe consequences to using the spells. Finally, the players may limit their usage themselves as they don’t want to take the fun and challenge out of the game either.

Regardless, epic level challenges still need to feel different than the previous tiers. I’ve been DMing at the epic tier for awhile and have designed a few encounters that should hopefully prove useful for others in the future.

But I’ve reached the end of this blog post so I’ll talk about the design of those encounters another time!

-GoCorral

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I’m Isaac

Welcome to the GoCorral website! I’m Isaac Shaker and this is a place for me to write about D&D and occasionally other topics. I host a podcast called Setting the Stage that interviews different DMs about their campaigns. I’m currently focused on completing the Cimmeria campaign setting and turning it into a book.

Setting the Stage Podcast

77 – KPop DnD Hunters (Dan and Idols of the Neon Dark) Setting the Stage, Campaigns for D&D and Other RPGs

Dan talked with me about his Kickstarter campaign, Idols of the Neon Dark. It's a D&D 5e supplement that tries to bring the fun and atmosphere of K-pop to Dungeons and Dragons. The media frenzy around KPop Demon Hunters inspired Dan to create a product based on the musical genre that his young daughters could enjoy with him.Idols of the Neon Dark contains an Idol character class to represent the teamwork and coordination of K-pop groups. Alongside the Idol class there's a setting called Lumenica City. The city is an undeground haven of neon lights, skyscrapers, and music. There's campaign for levels 1-6 and a bunch of side adventures as well to place within Lumenica City or your setting of choice.You can support Idols of the Neon Dark on Kickstarter: https://www.kickstarter.com/projects/wrenegade-dan/k-pop-5e-hunters-shadows-of-the-neon-darkIdols of the Neon Dark Discord server: https://discord.com/invite/SREMffsEGWIdols of the Neon Dark Playtest Materials: https://drive.google.com/drive/folders/1CqyORb1gD6blKjSvRlPFzO-n9cj6QI68?usp=drive_linkPAX East Playtest Schedule. BOOK NOW! These are in March! https://www.projecthedron.com/events/697b8b2a040ec653b52091b6/sessions?search=name_li_Idols__nd__associatedEventId_eq_697b8b2a040ec653b52091b6&advSearch=true&page=1UKGE Playtest Schedule: https://www.eventbrite.com/cc/ukge-idols-of-the-neon-dark-free-play-test-4817224Dan also runs a marketing business for Kickstarters that you should check out if you're thinking of launching your own crowdfunding campaign. Look at how well it worked for Idols of the Neon Dark! https://wrenegadecrowdfunding.com/Our website: https://gocorral.com/stsWant to be on the show? Fill out this survey: https://forms.gle/U11TbxtAReHFKbiVAJoin our Discord: https://discord.gg/Nngc2pQV6CSupport the show on Patreon: https://www.patreon.com/SettingtheStage Hosted on Acast. See acast.com/privacy for more information.
  1. 77 – KPop DnD Hunters (Dan and Idols of the Neon Dark)
  2. 76 – Flying Island Worlds (Alan and Fractus)
  3. 75 – Masks, Capitalism, and Coming of Age (Joel and Critical Bits)
  4. 74 – Kylie and Fallout: Garden of Atom
  5. 73 – Duncan and Extraordinary Locations